- [Jay] So the water's gone.

- It's not gone.

It's just that it fluctuates.

- Fluctuates?

That's a good word for it.

- [Dot] That place been a sorry place long before that boy died there.

- It was 100 years ago.

- They were killed in our name.

Five people murdered for some water.

- [Marley] I'm scared.

They're outside my mum's house.

- If you tell them what actually happened out there, then we will both go to jail, and I will lose Ava.

- [Emma] We think Tyson followed you out to talk to you about undercutting his drug trade.

Things got outta hand.

- So, what are you even looking for?

- Tyson.

I have to prove that he passed through here the night the boys went missing.

Take a look at this.

Tyson on his way out with three mates.

One of them doesn't come back.

Those three guys are the reason why Marley's not talking to us.

Get down!

(gun fires) (glass shatters) You okay?

- Yeah, I'm okay.

(dramatic music) (car engine revving) - [Jay] Time to start talking!

(dramatic music) - Did Reese tell you who raped Shevorne?

- No.

But I'm gonna find out, Uncle.

I promise.

(dramatic music) (doleful country music) (doleful country music continues) ♪ If you don't like sunny days ♪ ♪ Then I'll make it rain ♪ ♪ Make a bird sing ♪ ♪ Any song you wanna hear it sing ♪ ♪ Fix all your broken things ♪ ♪ If I was the devil ♪ (doleful country music) ♪ I'll take you down ♪ ♪ And put you in my house ♪ ♪ I'll make your mama love me ♪ ♪ Your sister might wanna touch me ♪ ♪ But I'll be yours and yours only ♪ ♪ If I was a devil ♪ (doleful country music) (doleful country music fades) (car door slams) (footsteps shuffling) (insects chirping) - Oi!

We all good now?

- Come on, Reese.

Just tell me who it was.

(fly buzzing) - Dude, I promised her.

(Marley groans and thuds) You gonna have a swing, Marley?

Yeah.

Come on.

(suspenseful music) Yeah.

Come on.

(both straining) - [Marley] Tell me who it was!

(suspenseful music) (both straining) - We good?

(suspenseful music) (Reese heavily breathing) (Marley spits) (suspenseful music) It's better you don't know anyway, bruz.

- Better for who?

My uncle's in jail for nothin'.

He doesn't even know why she blamed him.

- You talked to Larry?

- I went and saw him.

(suspenseful music) - I told you not to tell anyone.

- Why not?

Why's it such a big secret?

Tell me what Shevorne knows.

- We've been over this.

I can't.

I'm sorry.

(suspenseful music) Wanna have a joint?

(sinister music) (dramatic music) (Marley laughing) (car engine revving) Whoo!

Come on, baby.

Whoo-hoo!

- Yeah.

- Whoo-hoo!

(dramatic music) - Right.

Whoo!

(gun fires) (car engine revving) (both laugh) Stuff that.

(vehicle engine revving) Who's that?

- I don't know.

Hope they got beers.

(motorcycle engine revving) (insects chirping) (vehicle engine rumbling) It's Tyson.

(car door clicks) (car door clicks) (motorcycle engine revving) Oi.

You freaked us out a bit there.

Thought you might have been the cops.

(punches thud) (punch thuds) (sinister music) (Marley groaning) (rifle cocks) (sinister music) (vehicle engines revving) (vehicle engines continue revving) (car juddering) (Marley heavily breathing) - What's going on?

- [Reese] I don't know.

- Is this about the drugs?

Reese!

- [Reese] It's not about the drugs!

(sinister music) - [Marley] What?

(ominous music) (car juddering) (car continues juddering) (ominous music continues) (vehicle engines revving) (ominous music) (vehicle engine revving) (suspenseful music) (motorcycle engine revving) - [Tyson] Get the gate.

(bike engine revving) (ominous music) - [Marley] You ready?

- Yeah.

- Let's go, brother.

(ominous music) - [Rider] Oi!

(tense music) (motorcycle engine revving) (Reese thuds) (motorcycle engine revving) (truck horn blares) (motorcycle engine revving) (truck horn blares) (tires screeching) (motorcycle crashes) (vehicle engine rumbling) - [Tyson] Hey!

- [Jay] So, what happened to Reese?

- [Marley] I thought he got away.

- [Jay] And where'd you go?

- I just took off.

I ran.

They were looking for me.

Couple days later, I headed back to the road, hitched a ride into town.

- [Jay] And that's when you went to Shevorne's place?

- I thought Reese would already be there, but he wasn't.

(insects chirping) - So where did Shevorne hide you?

- At Tipper's.

- Where those mad dogs are.

So then Shevorne took you back out to the shed?

(insects chirping) Reese said this wasn't about drugs.

- It has to be.

What else could it be?

(pensive music) (pensive music continues) (phone ringing) - Yeah, it's me.

(birds chirping) (pensive music) (birds continue chirping) (pensive music continues) (birds continue chirping) (pensive music continues) It's okay.

(car door slams) (pensive music) Thanks for coming.

- No worries.

- This is Mary, Marley.

- Hey.

- Hey.

- Now, I want you to stay with her until I sort all this out.

She's family.

- Come on.

- Please stay with her until you hear from me, okay?

- [Marley] Yeah, all right.

(pensive music) - See ya.

(car doors slam) (car engine sputters and revs) - I tracked down Shevorne.

It was good.

It's what I needed.

I invited her and her aunties to take part in Jonathan's memorial.

They're wonderful women, aren't they?

- Actually, Liz, there's a problem with that.

- Really?

- It can't happen.

- I thought you said it was your property.

- Yep.

- So, what's the problem?

(footsteps clicking) (suspenseful music) (plane engine droning) (suspenseful music continues ) (plane engine revving) (suspenseful music) (car whooshes) (bird cawing) (car door clicks) (bird cawing) (car door slams) (footsteps shuffling) - Detective.

(footsteps shuffling) (insects chirping) - I didn't think it was legal to use these in the creeks anymore.

- What, you gonna arrest me?

- Marley told me why he visited you in jail.

He told me you didn't rape Shevorne.

- Yeah, I been telling people that for years.

- I don't think you raped Shevorne either.

(insects chirping) Why did Shevorne blame you?

- I have my theories.

- Well, you wanna share those theories?

- What you gonna do with them?

- Put things right.

- I thought it might have been one of the kids from the footy club.

That's where they hung out.

You know, kids'll be kids.

Something might have gone too far.

(suspenseful music) That's one of my theories.

(suspenseful music) Let me know if you wanna go fishin'.

(suspenseful music) (seagulls cawing) (birds chirping) - [Emma] So Marley confirmed Tyson and three others?

- Yes.

- Can he I.D.

them?

- No.

- Okay, so, before Homicide gets here, you gotta bring him back- - Hang on.

Homicide are coming here?

- Well, Marley didn't end up at the prison.

So what was I supposed to do?

They called here.

- [Jay] I'm not bringing him in.

- [Emma] Yes, you are.

- No, I'm not.

Someone tried to kill him.

- Well, this would be the safest place for him, wouldn't it?

- Well, I don't know where the safest place is anymore.

How did they know that I was out there, Emma?

- What?

- Well, it was your idea that I take him.

- Oh, come on.

- Or maybe somebody in here worded them up.

- Oh, for Christ's sake.

Sharma, I would trust with my life.

We're all on the same side, Jay.

- I know you think that, Emma, but you're too close to this town.

There are some things you don't see or maybe you don't want to see.

- [Emma] (scoffs) Like what?

- Well, you didn't know Shevorne was Reese's girlfriend.

- Oh, come on!

What, am I supposed to know every (censored) relationship in town?

- And what about your brother?

Selling a worthless property.

- What are you talking about now?

- $8 million.

If that's not ripping blackfellas off, then I don't know what is.

- Oh!

You do not know what you're talking about.

There's an aquifer under that property.

That's why it's worth 8 million bucks.

- The water's all gone, Emma!

The aquifer is empty, and your brother knows it.

(suspenseful music) (door slams) (suspenseful music) (door slams) (car door slams) (car engine sputters and revs) (suspenseful music) (car engine revving) (suspenseful music continues) (Emma sighs) (traffic humming) (door clicks) (birds chirping) (Emma sighs) (birds chirping) - So we know that Tyson was in the car that ambushed the boys.

There were three other men.

We've gotta find out who they are.

- Maybe we could ask Marley or Jay.

- [Sharma] Right, well, we know one of them was taken out at the crossroads.

- On a bike.

- Mm.

- So where's the body?

Where's the bike?

- And if they were a local, then why didn't anyone report them missing?

- What's that old cliché?

Best place to hide a body is?

- Is in plain sight.

- Is in plain sight.

- So, what are you suggesting?

Maybe some sort of accident?

(suspenseful music) - Spud Jackson.

- I'll have a look.

- What was the blood type on the road?

- [Sharma] Uh, AB positive.

- Yeah.

And so what's his?

- It is (chuckles) the same: AB positive.

- Same.

Oh, that's a bit of a coincidence, eh?

- Well, it's a start.

(dramatic music) - Are we good, Muller?

- Yeah.

Good, boss.

(dramatic music) You left early yesterday, didn't you?

Did you go to the pub?

Talk about work, did you?

Talk about the, the big case?

(dramatic music) (dramatic music continues) - I don't need this.

(dramatic music) (door clicks and slams) (dramatic music) (insects chirping) - Shevorne said Ava's father was just some ringer passing through.

- And you believed that?

(insects chirping) (birds chirping) (dog barking) - You're on the wrong track.

- So the rape of Shevorne and the identity of Ava's father, they're not connected?

- Listen, if Kerry finds out who the father is, she'll take that kid away from Shevorne.

Just leave it be, eh?

(dramatic music) (dramatic music continues) (dramatic music continues) (cattle mooing) (horse whinnies) (cattle mooing) - Hey.

Hey.

(dramatic music) (cattle mooing) (hooves clopping) (cattle mooing) How's the big case going?

- Closing in.

(fly buzzing) We know Tyson was involved in it.

Used to work here, he knew where the boys would be.

- That my fault too?

- No.

We just, we know he wasn't alone.

I just wondered whether you knew who his mates were.

- Wouldn't have a clue.

He hasn't worked here for over a year, Em.

(tuts) (horse lips fluttering) (fly buzzing) (worker indistinctly yelling) (Tony whistling) (worker faintly speaking) - How's the water table going, Tony?

(stirrup jingling) - Water table?

- Yeah.

(horse lips flutter) - Water table's, uh... Yeah, it's changed.

Couple of good wets, it'll change back.

- Changed?

- It's dropped, a lot.

- Does Keith know?

- Not good business to spell out property flaws.

- You can't do it.

You can't do it to the community.

- It's on the market, Emma.

That's the price.

- No, it's not fair.

It's dishonest.

- It's business, and we're selling.

(fly buzzing) (stirrups jingling) - I'll never agree to it!

(cattle mooing) (worker whistles) - [Worker] Come on!

Hey!

Come on!

(bird caws) (birds chirping) (waves lapping) (crowd chattering) (gentle music) (crowd continues chattering) (gentle music continues) (door clicks) (crowd chattering) (gentle music) - Marley's locked up.

What do you want now?

- I wanna know about you and Shevorne.

I know you two had something going on.

(crowd chattering) - What's that got to do with anything?

- I don't know yet.

Maybe nothing.

Why do you think it was Larry that raped Shevorne?

- You're dumb for a cop.

Shevorne said it was Larry.

The court said it was Larry.

Who else is it gonna be?

- [Jay] I don't know.

Who else was hanging around the footy club?

- Lots of people.

- [Jay] Like who?

- People.

What do you keep going on about it for?

(crowd chattering) (birds chirping) She was messed up for a while.

And we got together about two years after.

No one knew about me and her.

We kept it quiet, especially from Mum.

(crowd chattering) She hates Shevorne 'cause of sending Larry to jail.

(crowd chattering) (birds chirping) (door clicks) (door slams) (suspenseful music) (Emma sighs) - Where's Muller?

- He'll be back in tomorrow.

You know what he's like.

- Any word from Jay?

- Haven't heard from him.

(suspenseful music) - Why are you still here?

- Well, someone's gotta go down with the captain.

(Emma chuckles) (suspenseful music) (birds chirping) (pensive music) (birds continue chirping) (pensive music continues) (pensive music continues) (pensive music continues) (door slams) (footsteps shuffling) (pensive music) (door clicks) - Detective, we've matched the blood on the crossroads to Spud Jackson.

- Who's Spud Jackson?

- Remember the day you arrived I was recovering a body from a car-accident site?

- Yeah?

- Yeah, well, it looks like they took his body from the road, put him in his own car, and pushed it down the hill.

- Who's they?

- That, we still don't know.

I'm trying to I.D.

the white ute from the truck-stop footage.

- Okay.

(hat thuds) Emma, can I have a word, please?

(door clicks) (door slams) I need to... - I've told Homicide we've got Marley back in our custody, so they're dealt with for the time being.

- Thanks.

- [Emma] How is he?

- He is safe.

I need to tell you something.

You might wanna take a seat.

Marley told me why he went to visit Larry in jail.

Larry Dime, he wasn't the one abusing Shevorne.

(Emma sharply exhales) - Who was?

- I don't know.

But there's only one person who can tell us for sure.

I think she's the key to the whole thing.

(Emma sighs) (door knocks) - [Shevorne] What do you want?

(door creaks) - Hello?

(sighs) Hello?

- [Shevorne] What?

(footsteps thumping) (door slams) (Emma sighs) - Can we have a word?

(footsteps shuffling) - She doesn't look like her father.

- What?

- [Emma] No wonder no one picked it.

- What are you talking about?

- Cedric.

He's her father, isn't he?

- Who told you?

- You just told us.

- Well, you can't tell anybody.

I know what people think about me, especially Kerry.

She hates my guts.

If she knew that's her granddaughter, she's gonna take her away from me, all right?

She's all I have, okay?

You can't take her away from me, please.

- Hey, it's okay.

It's okay.

We won't, we won't tell anybody, okay?

Just, do you wanna sit down?

(somber music) Shevorne, was Larry Dime the person who sexually abused you?

(somber music) - It was a long time ago.

What does it matter now?

- Oh, it matters.

Larry spent 10 years inside, 10 years.

I charged him because you named him.

(somber music) (footsteps shuffling) (chair scrapes) - Listen, if it wasn't Larry Dime, then who was it?

- If your attacker is still out there, we have to know who he is.

- I can't tell you.

- We can protect you.

- You can't protect me.

You couldn't protect me then, you can't protect me now.

- [Emma] Well, why didn't you come and tell me?

Why didn't you come to me the- - I couldn't, all right?

- Why not?

- Because you don't understand!

- Well, then help me.

Help me understand.

Who was it?

(suspenseful music) - I can't say.

- Why not?

(tense music) - Because he runs this town.

(shakily breathing) (tense music) - Keith?

Keith Groves raped you?

- Yes.

(dramatic music) He made me say it was Larry.

- Oh.

(dramatic music) - [Keith] Afternoon.

- [Passerby] How are you?

(keys jingling) - How ya goin'?

- Hello.

(keys jingling) - Hey.

(keys jingling) (bird cawing) (Keith sighs) Larry Dime.

- Keithy Groves.

What do you know?

(bird cawing) - Don't get too comfortable, Larry.

Comfort breeds contempt.

- Them coppers know I'm an innocent man.

You know another thing, bruz?

I'm thinkin' about running for council again.

(crowd faintly chattering) (Keith sighs) (suspenseful music) - Stay outta trouble, Larry.

- Don't worry about that.

That's my middle name.

Larry, Stay Out of Trouble, Dime.

You have a good day, Keithy.

(dramatic music) (door slams) (dramatic music continues) (phone thuds) (suspenseful music) - We're gonna need you to make a statement.

- If I say something, I'm gone.

Last person I told is dead.

- You told Reese?

(Shevorne sighs) - Yeah.

He got wild.

He reckoned he was gonna take care of it, pay Tyson to touch him up or something.

I just thought he, I just thought he talking (censored), you know?

But then I saw that him and Marley went missing, and, (sniffles) like, if I just kept my mouth shut like Keith told me to, "Just keep your mouth shut," then this wouldn't have happened.

This, Reese wouldn't be dead.

He would be alive.

He wouldn't be dead.

I just, I didn't know.

- Shevorne, Reese's death isn't your fault.

We can protect you.

You should come into the station.

That's the safest place for- - Oh, no.

I'm not goin' there.

They see me goin' there, then Keith's gonna come after me and Ava.

I'm not doin' that.

- Well, what about we take you to Auntie Dot's or to one of your cousins?

- I put Larry away for 10 years.

Auntie Dot is gonna kill me, all right?

- But you can't stay here alone.

(suspenseful music) - Where's Crystal?

Can I stay with her?

(suspenseful music) (door knocking) - Hey, bub.

Can you do a favor for me?

Can you take Shevorne here and stay with her, in here, just for a little while?

- Yeah.

- There you go.

(birds chirping) Hey, Shevorne, don't you go anywhere or talk to anybody until you hear from us.

All right, be safe.

- [Crystal] Right.

(door slams) (footsteps shuffling) - So we know Reese wanted Tyson to rough up Keith.

We're assuming that Tyson told Keith, Keith turned it back against Reese, then it all got outta hand.

- There were two others out there with Tyson and Spud.

Was one of them Keith?

- Maybe, but it's not his vehicle.

- Hey, boss.

Have a look at this.

See that canvas canopy on the back?

- Yep.

- That doesn't come standard on that model.

It's gotta be ordered and fitted on.

And in about a 100 k radius, there's only one person who's had that done.

- Who?

- [Sharma] Chris Kollias.

- [Emma] Keith's business partner.

(suspenseful music) (footsteps shuffling) (power tool grinding) - Where's Chris?

- Don't know.

Probably at the pub.

- The Saturday night Marley and Reese went missing, any idea where he was?

- Yeah.

Shooting.

- Did he say who he was out with?

- Vince Pearce.

Runs the tattoo parlor.

- Where's he clean his ute?

- Out in the loading dock.

(workers faintly chattering) (power tool grinding) (suspenseful music) (suspenseful music continues) (Jay heavily breathing) - [Jay] Bike mirror.

- So how do we prove Keith sent them out there?

- Who's the weakest link?

(needle buzzing) (suspenseful music) (suspenseful music continues) - Looking to get some ink, Detective?

(needle buzzing) (cord thuds) (tense music) - Okay.

Firearms renewal.

- Hmm.

(keyboard clacking) Well, uh, according to this, it's all up to date.

(paper rustles) (door clicks) - [Emma] Yeah, that's weird.

- Follow me.

Thanks.

- Oh, well.

We always go by the computer readout, so... - [Chris] Come on, Emma.

It's all a bit formal.

- [Emma] Mm-hmm.

- In the interview room, please.

Sit over there.

- Oh, righto.

(chair scrapes) What's Chris doin' here?

- [Jay] Chris?

Oh, he's makin' a statement.

- Statement about what?

- About Reese Dale.

- What about Reese Dale?

- Well, he said that you killed him.

- So, this is what it feels like to be a crim, eh?

- Yeah.

(chuckles) You've got anything you wanna confess?

(Chris scoffs) - Me?

Come on.

(Chris sighs) (suspenseful music) Like what?

- You tell me.

- [Chris] Ah, this is how it works.

Right, so you keep going until the person breaks.

Right.

- Something like that.

- And he said that Keith sent you all out there to rough up Reese, things got outta hand, pulled the trigger and you killed Reese.

- Yeah, well, that's a load of (censored).

You got no proof.

- Chris is giving us the proof right now.

(suspenseful music) - I'm not gonna wear this.

- Sign there and date it.

- [Chris] Okay.

(Emma sighs) - You probably don't realize, but sometimes we don't need you to confess.

If somebody else gets in first, tells their story, sometimes they get the best deal.

- Yeah, but what about if it's a group of mates?

They're tight.

- There's always someone who cracks, maybe someone who was just tagging along.

Maybe he's a bit of a lackey, a bit of a dogsbody.

There's always someone who loses their nerve, always.

(suspenseful music) (Chris inhales) (palms rubbing) - Well, lucky this is all just hypothetical.

Isn't it, Emma?

- Yeah.

Lucky.

(suspenseful music) - This is Chris and Tyson's little game.

They said that Keith wanted to teach Reese a lesson.

I don't know what the hell Marley was doing there.

They made a run for it, and then Chris bloody freaks out, grabs the gun, and starts shooting.

(dramatic music) Reese bled out.

I couldn't do anything.

(dramatic music) Why did Keith wanna scare Reese?

- I don't know!

Ask him!

Ask Chris!

Chris, you dog!

(dramatic music) - Um- - [Emma] So, what's your firearm type?

- Well, what happens now?

(dramatic music) - Constable Sharma, cuff him.

- Right.

Hands behind your head, please.

- Huh?

- [Sharma] Hands behind your head.

- [Emma] So, what's the make?

- [Chris] Well, I've got a couple of .22s.

Uh, I don't know what brands they are, but, um... (dramatic music) What's goin' on?

(suspenseful music) - I'm not goin' to jail for you!

- [Jay] Turn around and put your hands on your head!

Turn around!

- Oh, come on, Emma!

What, you're gonna believe that crackhead?

- Chris Kollias, we're arresting you for the murder of Jonathan Rutherford.

(Chris sighs) - We'll take that as a yes.

- [Chris] Oh.

(tense music) - I left my phone at home.

- Do you wanna just use mine?

- [Shevorne] No.

I have to call my cousin.

They're supposed to have Ava tonight.

- Yeah, just use mine.

- The number is in my phone.

(Shevorne sighs) - Hey, where are you going?

Dad said to stay here.

- I'll be like five seconds.

No one will see me.

(Crystal sighs) - I'll go.

- You sure?

- Yeah, I'll go.

So, where are your keys?

- It's charging next to my bed.

- Okay.

Don't go anywhere.

I'll be back in a sec.

(door clicks) (traffic droning) (door slams) (birds chirping) (officers faintly speaking) (phone buzzing and ringing) - Well, what do you know?

Keith Groves.

(phone ringing) (phone beeping) He didn't seem very talkative.

(tense music) (phone clattering) (sinister music) (sinister music continues) (vehicle engine revving) (sinister music) (sinister music continues) (car door slams) (footsteps shuffling) (keys jingling) (phone ringing) (footsteps thumping) (door clicks) - You got Shevorne's phone.

Is she here?

- She's working.

- Well, I've been down the pub.

She's not there.

Do you know where she is?

- I don't know.

(dog barking) (tense music) (door slams) (sinister music) (car engine sputters and revs) (menacing music) (menacing music continues) (menacing music continues) (menacing music continues) (menacing music continues) - Shevorne!

(menacing music) Shevorne!

(menacing music) (vehicle engine revving) (menacing music) (Crystal panting) Dad!

Dad, call me back!

(dramatic music) Dad, it's me again.

Shevorne's gone with Keith.

They headed out on the north road.

(menacing music) (phone buzzing) (menacing music) (vehicle engine revving) (tires screech) (footsteps shuffling) (footsteps continue shuffling) (suspenseful music) (suspenseful music continues) - I'm so sorry.

- It's okay.

Hey, it's okay, Shevorne.

Come here, bub.

Come here.

(Shevorne sobbing) (suspenseful music) (footsteps shuffling) - I'm... It's my fault.

- Hey, hey, hey, hey.

- I'm so, so sorry.

- Hey.

It's okay.

(tense music) - What are you lookin' at?

- What you've done to this girl, you're a dog.

- Is that so?

(tense music) (gun cocks) So, what are you gonna do about it, then, eh?

Eh?

(tense music) Typical.

Nothing.

(tense music) - So you gonna kill me, Keith?

- Not me.

She is.

See, no one's gonna mourn for you.

You're a pedophile.

Shevorne here, she'll be the hero who couldn't live with the pain.

Another suicide.

- Please, I- - [Keith] Shevorne, shut it.

(gun fires) (Larry groans) (menacing music) - Oh!

(groans) - Shevorne.

(menacing music) Shevorne.

(menacing music) (menacing music continues) (Shevorne crying) Shevorne!

(Shevorne panting) Come back here.

I wanna talk to you!

(suspenseful music) (dramatic music) (Larry groaning) (dramatic music continues) - Sharma, we need an ambulance out here at Two Mile, now.

(dramatic music) (menacing music) - [Shevorne] Someone help me!

Help!

- Go.

Go.

(Larry groans) (menacing music) (Emma heavily breathing) (Shevorne heavily breathing) (foliage rustling) (tense music) (Shevorne shakily breathing) - I'm sorry.

I'm, I'm, I'm sorry.

I'll do anything, please.

Please.

Please.

I'm sorry.

- So am I.

(tense music) - There.

(tense music) (tense music continues) - This was all your fault.

It was your fault for opening your big mouth.

(Shevorne gasping) So open your big mouth.

- I don't wanna die.

I don't wanna die!

- Open it!

- [Shevorne] Please!

- [Keith] Open it.

- [Shevorne] Please.

Please.

Let me go, please.

I'm sorry.

Please.

Please don't.

- Keith!

Drop the weapon!

Put your hands on your head!

Please, just think of my daughter, please.

- It doesn't have to end like this!

Larry's alive!

There is a way out of this!

Come on, Keith.

(tense music) - [Keith] Open it.

(gun fires) (footsteps shuffling) (Jay heavily breathing) (suspenseful music) (suspenseful music continues) (suspenseful music continues) - You, uh, you okay, Shevorne?

Yeah?

You okay.

Yeah.

(suspenseful music) (crowd chattering) - [Jay] One fatality.

Cheers, mate.

(footsteps shuffling) (mellow country music) (mellow country music continues) (mellow country music continues) ♪ Well, I find it hard to hear ♪ ♪ That's all you left behind ♪ ♪ Am I making myself clear ♪ ♪ That's all you left behind ♪ ♪ And I have no place to go ♪ ♪ That's all you left behind ♪ ♪ After all this time ♪ ♪ Mm-mm, mm-mm-mm-mm-mm ♪ ♪ That's all you left behind ♪ ♪ Mm-mm, mm-mm-mm-mm-mm ♪ ♪ A feather and a knife ♪ ♪ So pour me another drink ♪ ♪ That's all you left behind ♪ ♪ In the dark night, she still sings ♪ ♪ That's all you left behind ♪ ♪ And after all the time ♪ ♪ After all this time ♪ ♪ Mm-mm, mm-mm-mm-mm-mm ♪ ♪ That's all you left behind ♪ ♪ Mm-mm, mm-mm-mm-mm-mm ♪ ♪ A feather and a knife ♪ ♪ Mm-mm, mm-mm-mm-mm-mm ♪ ♪ That's all you left behind ♪ ♪ Mm-mm, mm-mm-mm-mm-mm ♪ ♪ A feather and a knife ♪ (birds chirping) (Tony heavily breathing) (birds continue chirping) (birds continue chirping) - Hey.

- [Emma] Hey.

(Tony deeply exhales) (birds chirping) - What's this?

- It's a check from Dot and the NWAC.

(birds chirping) (paper rustling) (birds continue chirping) - 2 million?

(birds chirping) Nah.

- That's all yours.

They wanna buy you out.

- What about you?

Well, (sighs) I've set up a partnership with them.

I'm staying.

(birds chirping) - Mm.

To do what?

- Don't know.

Somethin'.

Nothin'.

(Tony chuckles) - Nothing's all right for a while.

(Emma chuckles) - I can't imagine myself down south trying to wear heels.

- Yeah, it might be a bit late to start that.

(Emma chuckles) - Can't leave here.

(birds chirping) - End of the line, you and me.

- Yep.

(birds chirping and cawing) - I'll miss you, sis.

- Yep.

(Emma sighs) (reflective music) (reflective music continues) (reflective music continues) (reflective music continues) (reflective music continues) (reflective music continues) (reflective music continues) (car doors slam) (reflective music) - Looks like you have some paperwork to do now, eh?

I'll see you around, Emma.

- See you around.

(reflective music) (reflective music continues) (car door slams) (vehicle engine sputters) (car engine revving) (reflective music) (car engine revving) (resolute music) (resolute music continues) (resolute music continues) (resolute music continues) (resolute music continues) (resolute music fades) (no audio) (no audio)